Style 1 - TIGHT BACK AND SEAT
Tight back and seat describes a style of chair or Lazy Boy Double Chair containing neither seat nor back cushions. This form of construction gives a firm and supportive upholstery which was popular in the late 19th and early 20th centuries when chairs were utilized for activities such as reading, embroidery, and engaging in conversation. Tight back and seat furniture is firm but generally well padded, that it is supportive without having to be too difficult.
Style 2 - LOOSE AND ATTACHED CUSHIONS
The addition of seat and back cushions would have been a development through the tight back and seat style. Furniture with loose seat and back cushions has been around since the mid 1800s, but the invention with the radio accompanied by television in the twentieth century heralded a change in people's attitude toward their seating arrangements. There would have been a get off formal, firm seating and toward softer and more relaxing sofas and chairs. Furniture makers sprung seats and backs with shorter springs and used less padding to accommodate deep box cushions so the sitter could sink into furniture, as opposed to sit upright about it. Loose cushion furniture remains the prevailing type of most modern furniture.
Style 3 - SPLIT BACK STYLE
During the Art Deco period, the fashion was for sofas with backs that looked like that they loose cushions but were integrated into the upholstery. This style, known as split back, was again popular in the 1970s whilst still being remains a standard shape. Split back sofas combine the best elements with the tight back and box cushion seat style, so the seats are soft and comfortable, and also the backs provide more stable support.
Style 4 - EXPOSED FRAME
From ornate, colonial bergere furniture having its women cane infilling, to the common dining chair having a drop-in seat, many types of sofas and chairs have portions of an exposed frame. You can tell what color and type of wood is in fashion at a point in time by looking at the exposed frame furniture being produced. For example, dark, carved woods were popular in the late 1800s and plain, pale, bleached woods in many cases are noticed in modern Scandinavian styles.
Style 5 - TUFTED FRAME
Tufting, also known as buttoning, is often a traditional type of upholstery that became popular in the mid 1800s when leather hide became a popular furniture covering. The irregular size and shape of hide, and also the fact that it is hard to stitch together, necessitated the creation of an upholstery style that incorporated hidden joins. The solution was the "Chesterfield' type of Lazy Boy Double Chair having its low back, distinctive deep buttons, and diamond pattern folds. Tufting remains an essential technique for large part of leather upholstery. Using the shallow or deep tufting pattern, furniture makers incorporate its decorative effect in several styles.
Style 6 - MODULAR OR SECTIONAL FURNITURE
Modular or sectional sofas comprises separate units, usually including a corner unit, which can be combined as outlined by individual requirements. It ends with one arm plus carries a table or tables.
The design only became possible using the advent of modern upholstery construction methods. It became very popular in the minimalist era with the 1970s, and is still popular today as being a practical strategy to long seating areas in waiting rooms and offices.
Sofa styles may also be impacted by cushion shapes. Here we illustrate most widely used sorts of cushions which may have used since late 1800s to the present.
Now consider sofa cushions, which get a new look of the sofa and just how comfortable it's going to be.
These seat or back cushions are shaped to match throughout the front or over the tops of arms. "T" describes the shape of the seat cushion on the chair that fills the location with the seat, and also the recesses in front with the arms. On a sofa with recessed arms and three seat cushions, the central cushion is going to be square and also the two outer cushions is going to be "L" shaped. T-cushions happen in two types namely rounded and square rounded ends.
Turkish pillows are big traditional floor cushions which might be traditional and possess one or both sides covered with carpets.
Long, with flat ends plus a round profile, bolster cushions are employed predominantly as decoration on sofas and chaises with recessed or ornately shaped inner arms. They were very popular with furniture makers with the 1800s, but are not so common nowadays.
Arm shape is just one of major factors determining a style of the sofa. The four main arm types are roll arm, bridge-water arm, tuxedo (straight or square) arm, and no-arm whatsoever. Consider the arm shapes and make sure how that will satisfy your decorating style.
The rolled arm is among the most common and enduring shape for upholstered arms. Describing an arm having a rounded top, the word is employed for both plain and elegant styles, with either flat or recessed fronts.
The distinguishing feature with the rolled arm would be that the front with the arm forms the shape of the scroll. A variation around the rolled arm may be the inset panel, that was developed in line with modern upholstery methods to do away using the need to hand-stitch scrolls. It comprises another upholstered panel, which is applied to the front with the arm to neatly finish and cover the pad ends.
With a padded inside face and flat outside, the Bridge-water is often a simpler type of arm.
With its thin, squared-off style, the Tuxedo arm is located predominantly on modern types of furniture including modular furniture through the 1970s onward. A Tuxedo arm may be the same height because back with the piece of furniture.
Skirts, Legs, Feet
Last however, not least, you should pay attention to the skirts, legs and feet of the sofa. Many interior designers prefer dressmaker style skirts that start just underneath the cushion. If there are not many sofa or chair legs inside your family room, you can also choose showing the foot with the sofa.
Legs in many cases are the only wood exposed, and you may tell a lot through the legs about quality. This is particularly true of older furniture, indicating a piece is definitely an original or a reproduction. The twist turned legs and stretcher were popular in the early 1800s.
Popular through the earliest times, turned legs obtain name and distinctive shape from being turned on the lathe. Traditionally terminating having a brass castor, they can be long and elegant or short and stocky, and will be found on all types of furniture to the modern day. Good quality turned legs really are a sign of the well-made, expensive piece of furniture.
Pyramid-style legs become popular instead of turned legs when fashion did start to favor geometric designs throughout the Art Deco period with the early twentieth century. Shaped like inverted pyramids, their popularity failed to endure for long, though modern examples can still occasionally remain visible.
A distinctive type of leg popular for many centuries, cabriole legs may also be known as Queen Anne and will be plain or ornately carved. Cabriole legs through the Gothic Revival period were commonly curved using the foot in the shape of the claw holding a ball.
This type of leg is alto turned, but is distinctively short and plain, like a squashed ball. Bun feet may be flat bottomed or sometimes recessed in order to partly conceal a castor. This Is another popular and enduring style which was prominent in the late 19th and early part with the twentieth century and is still used today.
Skirts really are a way of extending the pad of the chair or sofa down to the ground so that all legs and castors are covered. Good quality legs and castors are costly and bad quality ones are don't seen, so modern styles have tended to feature skirts.
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